Shall I continue to write this Novel?

59

By WestOcean

December - A Novel

Below is the first page of my novel, "December", which is set in Victorian England. I have currently written only the first 7,000 words. Depending on the feedback to this hub, I will make a decision as to whether to invest time and energy in completing it. Candid but constructive feedback is appreciated. Thank you.

Chapter One

December, grey and bitter, dressed up London in a shroud.

Michael Edwards disembarked at King’s Cross, the train spitting fire and bellowing a cauldron’s worth of smoke. With a last screech of brakes and a lurching judder, the locomotive came to berth in the centre of the known world.

He pushed impatiently out of the first class carriage, striking out amidst the thronging hawkers and riff-raff flocking on the platform. It still revolted him, the acrid and bitter stench of London, the din of this soaring Babel around him. The magnificent station, fifteen years old, had sprung out of the old smallpox hospital like a reincarnation, a form of deadly resurrection. To the modern eye, King’s Cross was a workshop of the gods, a primeval forge from which new and glistening things were made. Mr Edwards had a Romantic eye, and the vision appalled him.

The lawyers were waiting. He could not dawdle. The burden of minutiae, of footnotes, of cases, of obiter dicta weighed like a sack of gravel in his brain. Too much water had passed under the bridge, too many deceptions and evasions, too many wasted years. His birthright had drained away like his father’s blood in the sand. Still, the suit was nearing resolution. The case would reach the Court of Appeals on Tuesday.

A servant jostled down for a cab and a broken horse trudged forward. He could feel it now, the decay everywhere, in the thick crust of soot that encrusted everything like the icing on a black wedding cake. The streets dripped with manure, but it did not smell like home. Advertisements for cocoa powder and carbolic tablets plastered every surface as if they could ward off all the filth. He had seen enough on the journey down, seen the mass building sites all the way from Hampstead, the shock of the relentless building boom. The identical modern redbrick streets were bursting out like plague sores over the meadows of old England. It almost made him physically sick.

He gagged as the cab sprinted out into traffic, a noisy and chaotic ballet. On and on they drove, down to Chancery Lane, where the lawyers swarmed like lice and his own destiny waited. On his first trip, he had fancied himself a young Arthur, come to pull the sword from the stone and claim his inheritance. Then he met the pallid and lean lawyers of Stafford Baillie & Sons and the iron maiden they referred to as their contract for professional services. He realised his mistake as soon as he was closeted with them in their dark, cramped and fusty library and the particulars of the case were revealed.

That is how the illusions of youth begin to die.

(c) 2010 Westocean. All rights reserved.

Should I continue to write this novel?

  • Yes
  • No
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Do historical novels appeal to me?

  • Yes
  • No
  • Sometimes
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Great Victorian Novels

A Tale of Two Cities
Amazon Price: $0.00
Great Expectations
Amazon Price: $0.00
A Tale of Two Cities (Dover Thrift Editions)
Amazon Price: $1.15
List Price: $3.50

King's Cross London

king's cross london -
Kings Cross, Islington, Greater London NW1, UK
[get directions]

Comments

Elefanza profile image

Elefanza Level 1 Commenter 17 months ago

I don't think it's a bad first start. The premise of how a man comes to lose his ideaistic dreams coud be interesting. One of the advice I keep running into for newbie writers is to just keep writing because that's the only way you learn. Have you heard of writing excuses? It's a podcast for aspiring writers of fantasy, but offers some general advice on the writing process.

You have some good descriptions and I like the line "How the illusions of youth begin to die." I would say to try to make your word choices and phrses more descriptive in some points. Some of the phrases -- like new and glistening things, too many wasted years, the black soot that encrusted everything -- feel like cliched, throwaway phrases that don't really convey any of the details because they've been used so many times by others. Also, as a writer, you should be wary of the word thing as it is an empty word and does not do much to add to creating the scene. Another point -- and this I still struggle with -- is using that kind of sentence structure designed to create tension and angst, that kind of sentence that is like the special effects of writig, that kind of sentence structure that is as the growing crescendo of horror, the kind like I am badly employing now even as I write to my ultimate demise. Like special effects, if you overuse it, then the feel of the story seems false.

Have you read Elizabeth Kostova's The Historian? Her writing style is worth checking out as she so brilliantly describes the scene and does so by adding all the little, important details that make the story seem real. Details like the kind of bread being eaten, the type of stone they're walking on, or just the descriptions of the places. This isn't to say add on a bunch of details. Just don't use throwaway language that's been done so many times before.

I think you should keep writing if you feel it's a story you have to tell and a lot of the advice says to just keep writing until you finish. I've not followed this advice much at first, but I am now and let me tell you my draft thus far is still like some poor kid locked in the closet as it is not good at any rate. But I'm going to keep going because that's how writing improves. So keep writing and toast to first drafts! :)

WestOcean profile image

WestOcean Hub Author 17 months ago

Thank you Elefanza for your comments. I will definitely track down Elizabeth Kostova's "The Historian" as a quick search on Google suggests she is highly acclaimed.

I think historical fiction presents a special kind of challenge: to realistically convey the atmosphere of a previous time period without resorting to anachronism or stereotypes. Well I will keep working on few of those unusual details, and maybe put this chapter through the mill a few more times :)

Thanks!

Elefanza profile image

Elefanza Level 1 Commenter 17 months ago

It does sound like it would be very tricky, but the reward is probably well worth it. I've always admired historical writers for the great pains they had to take to get all the nuances of history right. Good luck with the drafts and be sure to keep posting!

kirutaye profile image

kirutaye 17 months ago

The victorian era isn't my favourite historical period so i can't really critique your work.

But as a writer, the only way i learn effectively is to write. So i would suggest you keep writing.

Elefanza has already given some good references to help you.

cwarden profile image

cwarden 17 months ago

I definitely think you should continue! I look forward to updates on your progress.

WestOcean profile image

WestOcean Hub Author 16 months ago

@ kirutaye, @ cwarden - Thanks for your supportive comments! Appreciate the feedback. WestOcean

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